Monday, December 5, 2022
Two sports-takes that probably no one cares about.
Saturday, December 3, 2022
Two sports-takes that probably no one cares about.
First, I
can’t believe Ohio State is being considered for the playoffs. I would much
rather see a deserving 10-2 Clemson or even a 10-3 Utah. They at least won their
conference. I would even rather see a one loss Southern Cal make the playoff. They
at least played in their conference championship. I hate that Ohio State, the
most overrated team in the past decade, can benefit from sitting at home while
USC is penalized for playing in a conference game. The playoff should be the
top four conference winners. No more of who deserves it. No one deserves
anything. If you want in, then win your conference, period. If they keep
talking about who deserves it, that it should be the best four teams no matter
the record than I can make a good argument for Georgia, Tennessee, Alabama, and
LSU being the four teams. Does anyone deny any of those four can beat any of
the other teams in contention right now.
My second take is on my least favorite athlete, LeBron James
This week he threw a tantrum because the media did not ask him about the Jerry
Jones scandal this week but plagued him with questions about Kyrie Irving last
month, alluding that the media was racist. Here is my answer to James. Why
should they? Who are you that you think we care about your opinion on
everything? If you are unfamiliar with the story here is the breakdown. The media
asked James about Irving who is a basketball player, the same sport that James
plays. It was about an event that occurred last month when Irving posted his
support of an antisemitic movie. James and Irving know each other well having
played on the same team and lastly, James claims to be a social justice
warrior, unless its helping people from other nations who buy his shoes, and
the media wondered why James was not condemning Irving. As for the Jerry Jones situation,
it deals with football, which I am pretty sure is not James’ sport. It was
about a photo that was taken 65 years ago when as a 14-year-old boy he attended
a rally to stop the Little Rock Nine from attending Central High School. It
also involved a man who James is not familiar with. They never played together
or run in the same circles. I don’t care if James wants to share his opinion, I
certainly do, I just don’t understand why James feels he should be asked about
the situation. Is he upset he was not asked about the social justice issues in Iran
right now, probably not. By the way I am not saying the Jones is not a story,
it is, if for nothing else we can use it to teach about nine incredibly brave
teens who risked their lives to challenge segregation. I am just saying the story
is not about James.
Friday, November 4, 2022
Political Trends
An article came out this week from conservative writer
George Will in the Washington Post that called for President Joe Biden and V.P.
Kamala Harris not to run in the next presidential election. Will, who has
opposed Trump from the beginning, basically said that the Republicans might
make the mistake of running a man who has proven to be unqualified for the
highest office and the Democrats need to protect the nation and not follow
suit. Will, who voted for Biden in 2020, believes Biden is too old as seen in
recent gaffs. It seems odd to not nominate a sitting president and Americans
have become used to most of our presidents serving a full eight years. Only
once in the 20th or 21st centuries has a party not
nominated a sitting president and over the past forty-two years only two
presidents have served only one term. Yet there was a time in our history when
this was quite common. A time when the nation experienced a string of subpar
presidents and went for twenty-four years without having a two-term president
or even nominating a sitting president.
Looking back at presidents, you can see times when parties
had long runs in power. Thomas Jefferson’s Democratic Republicans basically
held power from 1800 to 1828, a twenty-eight-year run. The Republicans then
held the White House, with only two interruptions from 1860 to 1932, a seventy-two-year
run. Democrats came back with their own run and only one interruption from 1932
to 1968, a thirty-six-year run. It gets harder to tell after that. There could
be a mini-run of Republicans from 1968 to 2008, a forty- year run with two
interruptions, or maybe Clinton started a Democratic run in 1992 till today, a
thirty-year run with two interruptions. The other possibility is that we are
mimicking the one time we skipped when there were no runs. The parties went
back and forth. The time between Andrew Jackson and Abraham Lincoln, 1836 to
1860, when only one sitting president was renominated and there were no two-term
presidents.
This time period started off with the one president that was
renominated. Martin Van Buren won as a Democratic in 1836 but his presidency
fell into shambles the following year with the Panic of 1837, one of the
largest depressions in American history. The same holds true in 1837 as it does
today. Americans vote first with their wallets. Van Buren did get the
Democratic nod in 1840, but Americans blamed him for their economic woes and
voted in the Whig, William Henry Harrison, good old Tippecanoe and his VP Tyler
too. Speaking of woes, Harrison gave a long-winded inaugural speech in the
cold, got sick and died a month later. It was no longer "Tyler too,"
but now Tyler alone. He really was alone. He had been a Democrat his entire
life but had switched to the Whigs to run on and balance the ticket. He was
never supposed to be president and was shunned by both parties. When his term
ended, he threw a party and announced to the crowd, “They cannot say now that I
am a president without a party.” Clearly the Whigs had no interest in him
running for a second term.
In 1844 both parties ran new candidates. The Whigs ran their
founder and champion Henry Clay, while the Democrats ran an up-and-comer who
most reminded them of Andrew Jackson, James K. Polk. Being from Tennessee, Polk
even borrowed Jackson’s nickname and was known as “Young Hickory.” Polk was
responsible for arguably the most controversial war in American history, the
Mexican War, one that divided the nation along section lines. His presidency
was so stressful that he decided to not run again for health reason. It was a
good thing, too, or else he would have been the second president to die in
office as he did pass about a year after he left the White House.
In 1848 both parties ran completely new candidates once
again. Whigs went with their favorite tactic of running a war hero, and after
the Mexican War there was none bigger than Zachary Taylor. Democrats, trying to
continue to keep the ghost of Jackson alive, ran his Secretary of War, Lewis
Cass. Even Jackson’s spirt could not help Cass, who lost to the very
charismatic and popular Taylor. However, the Whigs retained their bad luck when,
as with their last president, Taylor died, leaving the Whigs with the not as charismatic
or popular Millard Filmore.
Not impressed with the Filmore presidency (no, I am not
making these names up, they really were all presidents), the Whigs continued
their trend and nominated the second most famous general of the Mexican War,
Winfield Scott in 1852. The Democrats also ran a new name with Franklin Pierce,
who won the day. Pierce got caught up in
the Bleeding Kansas debacle and might as well have been radioactive in the 1856
election, the way the Democratic Party threw him under the bus. The party
picked the least controversial candidate they could find, and it turned out to
be possibly the worst American president, James Buchanan. As there was no Whig
party to speak of, two other parties ran candidates. The Know Nothings, trying
to get Whig votes, dug up and ran the corps of Filmore, while the brand-new
Republican party ran John C. Freemont. The Republicans had enough Whigs in the
party to nominate a military hero. No surprise Buchanan won, being from really
the only major party in the race although he would go on to do nothing but
watch the nation crumble into Civil War.
Then, of course, there is the 1860 election, where again
neither major party ran the same candidate. Democrats ran Stephen Douglas,
while the Republicans took a shot at a newcomer and nominated Abraham Lincoln. Lincoln
ended the run of new candidates when in 1864 he ran and won a second term. It's
hard to imagine the turnover in the presidents as it was between 1836 and 1860,
yet we can understand the back-and-forth. We have seen the presidency switch
parties after each president since George H.W. Bush in 1988.
What we can learn from this is that, if the pattern holds and
if Biden decides not to run, the Republicans will take over. We can also see
this as a warning. The years between 1836 and 1860 are some of the most
turbulent years in our history. It was during those years that things were
becoming so divisive that it led to Civil War. I can’t say whether it was poor
leadership that led to war or that even the best of our presidents could not have
held us together during those years. However, I am leaning on the side of poor
leadership. That means it's up to us now to choose leaders who can properly steer
our ship of state and honestly try to unite us instead of playing politics. I
am not saying that this is easy. Clearly, the last two presidents have failed,
and I have no idea what candidate can truly bridge the divide. All I know is I
hope we can find one soon and not suffer the same fate as they did the last time
we saw this trend.
Dr. James Finck is a Professor of History at the University
of Science and Arts of Oklahoma and Chair of the Oklahoma Civil War Symposium.
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Tuesday, November 1, 2022
Hadestown
With the traveling Broadway production Hadestown currently
crossing the nation, I thought I would make a few comments about the show. Most
of all I loved it, amazing production on all levels. Hadestown is a retelling of
the Greek myths of Hades and Persephone as well as Orpheus and Eurydice. Instead
of being all Greek columns the play is a modern adaption set in what seemed
like a 1920s or 30s New Orleans flophouse or bar which would fit easily on the
set of Streetcar. The style of the music is a perfect accompaniment to
the setting with the style of Dixieland,
jazz, and a good dose of blues all wrapped up in a Broadway sound. The music was
nothing short of amazing with incredible harmonies from the muses and rich
almost haunting melodies. Many of the song were playful, with plenty of
trombone, but also songs like, “All I’ve Ever Know” were as romantic and
powerful as any song on Broadway.
I would say Hadestown was music driven, especially the first
act, the way a play like Phantom is where the music is stronger than the
story. The opposite is a play like Come from Away which the story is
stronger than the music. The set is very modern in that the orchestra is on
stage and often interacts with the characters. The set is also minimal and is
not really important to the show. There is only a slight change when going from
the bar to Hadestown and the only special effect is the rotating turntable on
stage that has become common with many recent plays.
I was familiar with Hades and Persephone, the tale about two
gods, Hades the god of the underworld and Persephone goddess of seasons, who
fell in love, but Persephone’s mother Demeter goddess of Agriculture could not
bare being without her daughter. A deal was struck that Persephone would spend
half the year with Hades and half the year with her mother. Hence spring and
summer she spent with her mother and fall and winter with Hades. I was not
familiar with the story of Orpheus and Eurydice. Without giving too much away
Orpheus was the son of Apollo and the muse of poetry. He had the gift of song
and could charm all things living and even inanimate objects with his voice. He
fell in love with Eurydice, a tree nymph. The play goes astray from the myth. In
the myth Eurydice is bitten by a snake on her wedding day and dies while in the
play she makes a choice to go to Hades. Either way Orpheus must save her from
the underworld.
Starting with the act one finale, a powerful song entitled
“Why We Build the Wall” the play does shift some towards the storyline and
takes on a political tone. I do not have issues with political undertones in
works of art. I assign novels each semester to my history classes with the caveat
that any great piece of literature worth reading has a message or moral for the
reader. My issue is that in our current environment of political correctness
all the messages from songs, TV, movies, and Broadway only have messages from
one side. Hadestown is no different. In one of the most intense songs of the
show Hades is in his realm singing to the people under his control. The song is
a call and response song where Hades sings, “Why do we build this wall,” and is
answered by the chorus “We build the wall to keep us free.” Hades then asks, “How
does the wall keep us free?” and they answer, “The wall keeps out the enemy.” Hades
asks why are they the enemy and the answer is “Because they want what we have
got.” In the production I watched Hades was played by a tall dark haired man
with an absolutely amazing baritone voice, but he might as well be played by a
blond with slightly orange skin and a tie too long.
While the play does seem to take the standard Broadway
liberal side, what is interesting is it was written in 2006, years before
anyone other than the Simpsons could have predicted the Trump presidency or his
signature slogan of “Build That Wall”. Also, it is interesting that if Hades is
serving as the antagonist then his convincing of Eurydice to come to Hadestown as
her only option for survival can only be seen as a rejection of big government.
Recognizing she is starving because she can’t find food in the winter Hades tries
to convince Eurydice to leave her love by singing:
“Hey, little songbird, let me guess:
He's some kind of poet and he's penniless?
Give him your hand, he'll give you his hand-to-mouth
He'll write you a poem when the power's out
Hey, why not fly south for the winter?
Hey, little songbird,
look all around you
See how the vipers and vultures surround you
They'll take you down, they'll pick you clean
If you stick around such a desperate scene
See, people get mean when the chips are down”
Hades convinces Eurydice that she will only be safe in
Hadestown where he can take care of her. Of course, once she decides to leave
the world, she is imprisoned like the rest who came to see Hadestown as their
only protection.
My advice is this, no matter your political leaning, see the
show. Know that there are some political messages, but don’t let that distract
you from a stunning musical. Turn off your political brain and focus on the
other messages, rekindling relationships that have struggled, or the power of
love and beauty. I thought Hades internal struggle of mercy verses control is
timeless both in politics and well as in relationships and definitely in
parenting. Then there is the final message of trust. How much do we trust those
we love especially with our own human weaknesses. Yes, I get tired of always
having to be the ones giving in to the left for art, but to let that stand in
your way of this show would be unfortunate enough to be a Greek tragedy.